Business report on Emaar Properties PJSC Essay Example | Topics and Well Written Essays - 2000 words

Business report on Emaar Properties PJSC - Essay Example It has not just shaped landscapes and built homes but also has developed and master-planned value added communities that has been able to satisfy the lifestyle needs of a diverse customers. Emaar Properties today is the leader in real estate and construction sector in The Emirate. Today the company has its presence globally which is a result of its expansion strategy. The company has expanded geographically and at the same time has been able to segment its business into numerous industries (Emaar.ae, 2010). The numerous business segments of Emaar Properties are: Emaar Hotels & Resorts Emaar Commercial Leasing Emaar Technologies Emaar Retail Emaar Malls Group Emaar Hospitality Group Emaar International was launched in 2004 to diversify the business. With this strategic move the company has been able to sustain the growth as it is not dependent on a single market. Even though the company’s main focus is North Africa, Middle East and the Indian subcontinent the company has its pr esence in UK, US and other western countries (Emaar.ae, 2010). The following diagram shows the company’s global presence: (Emaar.com, 2007) This report is targeted analysing the organization’s basic legal, social, and economic environments.... It is very important as it defines the framework under which an organization must operate. As Emaar Properties is operational in numerous countries, the company must look into each country independently and understand the legal environment in the specific country. Emaar Properties has done well to adapt to legal environments of different countries. It has made necessary changes to its organizational structure to abide by the laws in each country. With respect to the parent country, Emaar Properties has been able establish a strong relationship with the government of UAE. The legal system in UAE has accommodated both modern and classical concepts. It has a modern legal structure and at the same time has been able to keep the traditional values intact. The government of UAE has promoted and tried to reform the overall structure of the country with intent to providing the citizens with modern amenities at an affordable cost and the best services. Emaar Properties has aligned its busines s model on these lines which has helped it to achieve great success in a short time. Emaar Property’s business model is aimed at providing the best services at effective prices to the citizens. Its numerous services such as building of homes, community centres, hospitality, malls, education, etc have all contributed to the development of the country and hence, the company has received full backing from the government. Emaar Properties has a partnership with the government wherein 32% of the shares in the company is held by the government. This has tremendously helped the company to understand and tackle any legal issues. This also shows how the

Renault and Nissan Change Management

Renault and Nissan Change Management Renault and Nissan were merged on 27 March 1999; The Renault-Nissan Alliance is the first of its kind involving Japanese and a French company. Renault was identified for modern design and Nissan for the excellence of its engineering. The two companies had just decided to a most important strategic alliance in which Renault would take for granted $5.4 billion of Nissans Debt in return for a 36.6% equity sthare in the Japanese company. Before the alliance it was concluded that the combined company would be the worlds largest carmaker. Many changes implemented in the company which are described in this assignment. In short they focused on vintages, increased the packages of the employees according to their performances. The leaders were explained their responsibilities and the top performers were given tricky work. The customers only want the performance of the employees and good quality of products. Now the status of Renault-Nissan alliance is that it is a 3rd largest company in the global market. Cross functional teamwork has been central to the Nissan turnaround. Cross functional team refers to group of people with different functional specialties or skills, responsible for carrying out all phrases of a program or project from start to end. Nissan has very good cross functional team. They work in different areas and they are doing a fan ominous job in an organization. Therefore the result is much better and accurate and as a result Nissan has a very good reputation and opportunity in the global market. Introduction Nissan automobile company founded Yokohama city Japan since 1933. Company production and service network is around 160 countries in all of word. Company worldwide head office is Japan. President of Nissan motor co. ltd is Mr. Carlos Ghosn. Nissan have very good and best engineer and technology team so Nissan is best of diesel engine technology. (Carlos, 2009) Renault is an international motor company based in France. Renault was founded by Louis Renault and his brothers Marcel and Femand in 1899. Company worldwide head office is Boulogne-Billancourt France.. Renault is most popular on stylish and design based model. Renault is known worldwide our look. (Louis, Schweitze, 2007) Renault-Nissan Alliances Nissan and Renault were merged Tokyo on 27 March 1999. Louis Schweitzer, CEO of Nissan Motor Co., both announce today a worldwide partnership contract that would create the fourth largest automaker in the world, while achieve money-making growth for both partners. Renault Nissan has made a modern business model that has formed large value for both companies. Renault is investing us $ 5.4 billion in Nissan by taking a 36.8% equity share in Nissan motor company. (Carlos, 2002) Literature review of Leadership and Change Management Nissan Renault alliances is following transformation leadership change management theory, because Nissan Renault got good effects so that they applied this theory. Transformation leadership theory This theory is all about leadership that make encouraging change in the followers or employers. They take care of every one interests and task in the interests of the group as an entire. Leaders task is consciousness-raising on a big planning. The leaders basic and primary act is to persuade people to be aware or mindful of what they feel to feel their right requirements so strongly, to classify their values so significantly. This leadership style, the leader enhances the inspiration, ethical and performance of his follower group. This leadership is all about principles and importance, and a purpose that transcends short-term goals and focuses on top order requirements. Transformational leadership can be applied in this case change management situation and context is ideally suitable to the holistic and broad view perspective of a programme based approach to change management and it can be a key element of successful planning for managing change. The companies had started making the combined engine and the whole staffs were transformed. (Stephen, 2008) Change management Change management is a structured approach to transitioning individuals, teams, and organization from a current and a desired future state. Organizational process aimed at empowering employees to accept and embrace changes in their current business environment. In project, change management refers to a project management process where changes to a project are formally introduced and approved. Benefits of change management Change management takes the precious time of your organization most precarious employees. Process of change management is worth the trouble. Change management helps to lower risks add with change, eliminate resource conflicts and repetition, and learn from successes and mistakes of the past. Change management can offer an inside means to achieve the near-universal goals of advanced internal teamwork and external end-user satisfaction. (Geoff, 2007) Kurt Lewin Change Management Model Kurt Lewin model have a three step theory of change generally referred to as unfreeze, change, freeze. It is possible to obtain this stage to fairly difficult levels but I dont consider this is essential to be capable to work with the theory. A group has transformed since the theory was presented in 1947, but the model is very relevant. Any other change models are based on this model. This model is dividing three stages. Unfreezing Unfreezing step/ period is possibly single of the more significant stage to know in the humanity of change we live in at present. This step is about reaching ready to change. It involves reaching to a point of considerate that change is essential, and needed. This starting/initial stage is about prepare others, before the transform Deadline comes various type of reward or punishment connected to the work. If theres no time limit, then change is lower than the required to change. Theres a lot of minor inspiration to make a transform and get on with it. Unfreezing and reaching enthused for the change is all about consider up the profit and loss and deciding if the profit outnumber the losses before you take any action. Force Field examination is a modern way of saying that there are a lot of dissimilar factors (forces) for and next to making change that we require to be conscious of (analysis). The factors of change be more important than the factors aganist change we will create change Unfreezing step involve moving ourselves, or a department, or In business need to motivation for change analysis Kurt Lewin Force Field is a helpful way to understand this procedure. Change or transition Kurt Lewin was conscious that change is not an occasion, but quite a procedure. He calls that procedure a change. Change is the internal progress. This middle phase make the changes that are essential. This step is frequently the hardest as people are uncertain or still afraid. transform is not an trouble-free time as people are discover concerning the changes and require to be given time to know and work with them. Support is really significant here and can be in the form of training, coaching, and expect mistake as part of transformation process Freezing This process is while a group of people move to it as refreezing. This step is about establishing immovability once the changes have been completed the changes are usual and become the new standard. Its repeatedly at this point that people express amusement and tell me that almost there is never time for this this step. And it now this thats drained criticism to this model. We should think about this last step as being more flexible. Todays speed of transform this is a sensible criticism. Reinforcing the change and ensure that the required change is acknowledged and continue into the future. And it also relates in Renault Nissan alliances because according to this theory there first step to make plans like: How to change the behaviour of the employee. How to increase their energy level. How they come out their work-stress How they maintain themselves. i.e. called Unfreezing, then it take action steps for getting success in the plan i.e. called Changing, then the results come whatever changes have been done in behaviour of the employee and their energy level i.e. called Refreezing. So in this way we can say that this theory has also applied in this change management in Sony Pictures. (kottler, 2009) Consequences of change In 1999, Nissan was in need of Renaults cash to reduce its debt and Renault wants North America market share which was essential for Renault to expand in its global market. Nissan had more financial lose so he want more cash because he wanted to come out of debt. Success of this alliances depended on turning a Nissan got benefit more again. Nissan earn more than any other company in comparison. Nissan have debt problem in 1999 11.2 billion $ so this reason Nissan was agreed to the alliance. Nissan needs investments by any company in its aging product line. Nissan had $4 billion and above invested in different companies. But Nissan had a more and more financial lose Renault paid all off Nissans debt. in return process Nissan give Renault 36.6% equity share in our company. Hence nearly 15000 employees had to leave their jobs because of utilization. (Carlos, 2002) Change agent and Resistance Change agent Change agent human ability or company body of things to gating a higher degree of outcome. Beginning with the end in mind, the goal of a change agent is really to make changes. Result of change agent work is to enable people to do more, or search a new and good perspective on life. Carlos Ghosn was change agent Nissan Renault alliances; he was playing our role very wall. This processes in which he acted as. Carlos Ghosn organized nine cross functional team for tacking Nissan problems. Teams were the key to his success in revitalizing Nissan. Ghosn explained to employees at all levels of the company that they themselves possessed solutions to Nissans problems. According to Ghosn, it was neither top-down nor bottom-up. It was the way of both top-down and He was the one who was before all the changes taking place in the organization. (Carlos, 2002) Change resistance There should act more transparent and groups when last change attempted for their progress. Key words here are perceived and threat. The threat require not be actual or big for resistance to happen. In its common warning it refers to change within company, while it also is found in another place in other forms. Resistance is the equal of objections in sales and divergence in common negotiations. Resistance can receive many forms, include actively or passively, open or hidden, individual or structured, aggressive. Renault is French Automobile co. and Nissan is japans co. Both of company environment and culture is very different so employees had culture environment problems in starting of analyse. Because employees were not adapting a proper way new environmental culture they were also facing leadership change problems; they were not accepted in proper way new leadership starting of alliances. (NAKAE, 2002) Changes during Merger Principle and structure of Renault Nissan Alliance March 27, 1999, the Renault-Nissan Signed Alliance is a new partnership of two global companies joint for performance and linked by cross-shareholdings. It is based on two founding principle. All potential synergies developed by together the strengths of Renault Nissan through a approach to make Win-Win results Every company freedom and respecting their own corporate and brand identities Alliance develops and applies a planning of gainful growth and set itself the following objectives Customers recognized as being among the top three automotive groups in the class and value of its products and services in every region. Make a total operating profit among the top three automotive groups in the world, by maintaining a high operating profit margin and pursuing growth. (Carlos, 1999) Structure of Alliance Renault holds 44.3% equity share in Nissan, Nissan owns 15% of equity shares Renault. Both organizations have a straight attention in the results of our partner. Renault-Nissan has common strategic management structure of the Renault-Nissan group was founded on March 28, 2002. Incorporated under Dutch law, Renault-Nissan is similar own by Renault and Nissan. Registered office of Renault Nissan Alliance is situated Paris and Tokyo alliance board meets regularly. (Carlos, 2002) http://www.nissan-global.com/EN/COMPANY/PROFILE/ALLIANCE/RENAULT03/IMAGES/idx_ill_flow01.gif Picture.- Structure of alliance (Carlos, 2002) Cross-cultural management Renault-Nissan Alliance makes a great experience in multi-cultural management at all stages. Renault Nissan employs work together every year management make 30 team. Team member is both of company employers they are selected different region. Contribute our knowledge and generate new things. They are help in companys growth. Thousands of people work together and share our idea that is very great and best cross cultural management (Carlos, 2002) Effects After change Alliances Combined Sales After alliances Nissan Renault share our market Nissan is share our North American market and Renault is share our European market. Both have very great market opportunity. 1999 combined vehicles sales 4,882,235. Combined vehicles sales are improved year by year in 2007 and 2008 sales around 6,160,046 and 6,090,304. Nissan Group sales are 3,708,074 units Renault Group sales are 2,382,230 units. Renault-Nissan Alliance global market share 9.4% (Carlos, 2008) Research and development Both are companies sharing our technology in common platforms. They are using common parts and tools to developing technology and new entrepreneur. This alliance makes very good economic scale and reduces production cost (Carlos, 2009) Exchanges of power trains and common power trains To capitalize on the power train of Renault Nissan developed common diesel engines technology and gear box, including a six-speed manual gear box and a new 6 cylinder diesel engine. Both of company exchanges engines or gearboxes for example, the Nissan 2.5 litre gasoline engine for Renault Logan and Renault 1.8-liter diesel engine for Nissan. (Carlos, 2009) Explanation of the portfolio of advanced technology Renault Nissan is sporting on arranging field of research and modern technology. Renault and Nissan used common technology arrangement depend on four usual pillars: Safety, Environment-CO2, Life-on-Board and Dynamic Performance. (Carlos, 2009) MANUFACTURING Renault plant use standard technology for production Nissan use Renault plant for production from implemented. It improves 15% of Renaults production. They are developed common procedure plant by using the best affect for corporation. Alliance incorporated developed System (AIMS), which will originally be used at green field sites in India) and Morocco. (Carlos, 2009) Cross production Inside the Alliance, every company has the chance to use the manufacturing capacity of its partner. Today, Renaults plants manufacture Nissan vehicles in Korea and Brazil, while Nissan assembles Renault vehicles in South Africa, Mexico and Spain. Nissan Renault uses our partner plant for production. (Carlos, 2009) Conclusion Both of company people with different functional specialties or multidisciplinary skills, responsible for carrying out all phrases of a program or project from start to finish. Nissan have very good cross functional team. They work in different areas and they are doing a fan ominous job in an organization. Therefore the result is much better and accurate and as a result Nissan has a very good reputation and opportunity in the global market company can be transformed without destroying its identities; you should respect the dignities of the employees in the company.

In What Ways Do You Think That The Dreams Of The Characters Are :: English Literature

In What Ways Do You Think That The Dreams Of The Characters Are Different From Reality And To What Extent Will They Be Fulfilled? The American Dream can be defined as the idea that America is the land of opportunity for everyone who is willing to work hard and persevere. It was seen as the land of freedom where everyone has a chance of "pursuit of happiness." The USA was seen as a place of equal opportunities for anyone, one of the reasons being that there was no class system like there were in Britain. Dramatic irony links in with this idea of the Wingfield family living in the middle of the American Dream. It involves us in the play but as it is a memory play, dramatic irony does not make us feel part of it. It reminds us that we are on the outside looking in and also that we live in a different time period than the one in which the play is set. We, as the audience have a great deal of insight into the play, and therefore we know that there is no real truth in the American Dream. It is just a myth because the play is set in the 1930's, which was the period of the Great Depression. The American economy had collapsed due to the Wall Street Crash, so it would have been virtually impossible for the American Dream to work for someone like Jim. Jim is Tennessee Williams' central focus point of all the characters' dreams as he is "the long delayed but always expected something" that the Wingfield family have been waiting for. He is the most significant character in the play who can be related to the American Dream. In the film version, Jim is portrayed as an ordinary man, which is disappointing for us as we find it impossible to believe that he is such a central character and that all the dreams of the Wingfields depend upon him. " Knowledge - Zzzzp! Money - Zzzzzp! - Power That's the cycle democracy is built on!" When he pitches this line to Laura, we wonder that how can a person who believes in this absurdity, be such a central character in the play if he is portrayed like this. The actor who plays Jim in the film makes him seem extremely stupid. The actor does not give the impression that Jim is very important and it does not emphasise the fact that he is such a major character, which is why I feel that the portrayal of Jim is unsuccessful. Jim strongly believes that he will be able to obtain an executive post

Explore the ways in which Faulks uses nature within the novel

Alternatively, he might inferring that; the world is in peace when nature is allowed to flourish and It's in disharmony during war, where birds are chased away by the treating sounds Of guns and the hostile weather conditions which makes the birds stop singing, this creates an unnatural environment. The way Faults uses nature during the soldiers' time in the front is a complete paradox to the way he uses nature during Stephens visit at the English countryside when he's on leave.During Stephens time in England, Faults uses nature in an optimistic manner to convey a sense of exemption and alleviation. This is evident in the nine ‘the air had a feeling of purity as though it had never been breathed'. The air was ‘pure' because this is an environment where conflict is not as sever and atrocious; where nature was not being constantly disturbed by the petrifying sounds of guns and being intoxicated by gas. Unlike in France where there was not enough oxygen' provided by nature f or the soldiers to survive .The lack of oxygen shows how much man has damaged the environment and the restricting of oxygen to man shows that nature has given up on them ; this enforces that the arrival of the soldier's death is near. It's almost like the soldiers are betraying nature by damaging it while it's playing a motherly role to them. Faults is trying to convey the idea life is futile without nature and humans bring annihilation within themselves. Faults uses nature in the line ‘overhanging trees' to create a graphic imagery of dead bodies overlapping each other.This adds emphasis on the multitude of lives that were lost during the World War one, too many men died that their bodies became part of the landscape, they became part of nature. The powerful adjective ‘overhanging' mimics the soldiers' feelings as depressed ND melancholic due to the strain and tediousness as they had to strive under horrific conditions. On the other hand, the reader creates an unusual i magery of trees ‘overhanging' each other, which is unnatural. This represents a dyspepsia environment which shows that war changed nature.Faults wants the reader to understand the untold horrors of war, which creates a subtle anti war message throughout the novel. Alternatively, the adjective ‘overhanging', might infer that the trees were growing rapidly in the soldiers' favor to provide oxygen in order for them to survive. This shows that nature as on their side, although they were the ones damaging it. Here the reader begins to despite and oppose war as they start to notice the selfishness in humanity. Nature was being destroyed and a multitude number of innocent people were dying just because the government was eager to gain power.They had the power to stop this catastrophe but because they didn't want to embarrass or ‘show weakness' by surrendering . They had the decency to carry on despite how the conflict was destroying the earth. Similarly, the idea of natur e keeping the soldiers alive is conveyed in Siegfried Caisson's poem France' when he describes the forest as ‘radiant forest'. The powerful adjective ‘radiant', might infer that the forest gave the soldiers energy and provided them with heat in order to keep them warm while they were fighting; this reinforces a motherly nature as the ‘radiant forest' comforted them even though they were near death.Here Swanson uses nature in an optimistic manner to decrease the cruelty of war by not creating a sinister atmosphere. Faults makes the reader understand the brutality of war by using powerful adjectives to create a ghastly imagery. This is evident in the nine ‘Shattered flesh that lay in sinking stinking shell holes in beet crop soil' The powerful phrase ‘shattered', emphasis on the brutality of war and the multitude of violence. It creates a powerful image of mutilated body parts and rotting and decaying dead bodies decomposing in the soil.The adjective â₠¬Ëœstinking' emphasis on the foul smell of the dead bodies which damaged the nature by polluting the air. Faults uses graphic violent imagery to demonstrate the horrors of war. Additionally, the fact that the dead bodies are sinking the soil conveys the idea that the soldiers die but nature remains tagging or it gets damaged but it grows back again, but once a human being is dead they can never be brought back to life.As the reader is reading these they start understanding the impacts war had on nature which makes them unaffected by the euphoria of war. Nature is used positively , in the line ‘a lark was singing in the unharmed air above him' According to Biblical references , a ‘lark' is a symbol of hope, happiness and good fortune; which might mean that during the battle God was on the soldiers' side, their faith never betrayed them. The soldiers were just a sacrifice to God in order for everyone to have redeem. This is supported by the powerful phrase ‘unharmed air above him'.

Anaysis of the Yellow Wallpaper by Charlotte Perkins Gilman

http://www. sparknotes. com/lit/yellowwallpaper/context. html The Yellow Wallpaper, Charlotte Perkins Gilman Table of Contents Context Plot Overview Character List Analysis of Major Characters Themes, Motifs, and Symbols Important Quotations Explained Key Facts How to Cite This SparkNote Context Charlotte Perkins Gilman was best known in her time as a crusading journalist and feminist intellectual, a follower of such pioneering women’s rights advocates as Susan B. Anthony, Elizabeth Cady Stanton, and Harriet Beecher Stowe, Gilman’s great-aunt.Gilman was concerned with political inequality and social justice in general, but the primary focus of her writing was the unequal status of women within the institution of marriage. In such works as Concerning Children(1900), The Home (1904), and Human Work (1904), Gilman argued that women’s obligation to remain in the domestic sphere robbed them of the expression of their full powers of creativity and intelligence, while s imultaneously robbing society of women whose abilities suited them for professional and public life.An essential part of her analysis was that the traditional power structure of the family made no one happy—not the woman who was made into an unpaid servant, not the husband who was made into a master, and not the children who were subject to both. Her most ambitious work, Women and Economics (1898), analyzed the hidden value of women’s labor within the capitalist economy and argued, as Gilman did throughout her works, that financial independence for women could only benefit society as a whole.Today, Gilman is primarily known for one remarkable story, â€Å"The Yellow Wallpaper,† which was considered almost unprintably shocking in its time and which unnerves readers to this day. This short work of fiction, which deals with an unequal marriage and a woman destroyed by her unfulfilled desire for self-expression, deals with the same concerns and ideas as Gilmanâ€⠄¢s nonfiction but in a much more personal mode. Indeed, â€Å"The Yellow Wallpaper† draws heavily on a particularly painful episode in Gilman’s own life.In 1886, early in her first marriage and not long after the birth of her daughter, Charlotte Perkins Stetson (as she was then known) was stricken with a severe case of depression. In her 1935 autobiography, The Living of Charlotte Perkins Gilman, she describes her â€Å"utter prostration† byâ€Å"unbearable inner misery† and â€Å"ceaseless tears,† a condition only made worse by the presence of her husband and her baby. She was referred to Dr. S. Weir Mitchell, then the country’s leading specialist in nervous disorders, whose treatment in such cases was a â€Å"rest cure† of forced inactivity.Especially in the case of his female patients, Mitchell believed that depression was brought on by too much mental activity and not enough attention to domestic affairs. For Gilman, this course of treatment was a disaster. Prevented from working, she soon had a nervous breakdown. At her worst, she was reduced to crawling into closets and under beds, clutching a rag doll. Once she abandoned Mitchell’s rest cure, Gilman’s condition improved, though she claimed to feel the effects of the ordeal for the rest of her life.Leaving behind her husband and child, a scandalous decision, Charlotte Perkins Stetson (she took the name Gilman after a second marriage, to her cousin) embarked on a successful career as a journalist, lecturer, and publisher. She wrote â€Å"The Yellow Wallpaper† soon after her move to California, and in it she uses her personal experience to create a tale that is both a chilling description of one woman’s fall into madness and a potent symbolic narrative of the fate of creative women stifled by a paternalistic culture.In purely literary terms, â€Å"The Yellow Wallpaper† looks back to the tradition of the psychological horro r tale as practiced by Edgar Allan Poe. For example, Poe’sâ€Å"The Tell-Tale Heart† is also told from the point of view of an insane narrator. Going further back, Gilman also draws on the tradition of the Gothic romances of the late eighteenth century, which often featured spooky old mansions and young heroines determined to uncover their secrets.Gilman’s story is also forward-looking, however, and her moment-by-moment reporting of the narrator’s thoughts is clearly a move in the direction of the sort of stream-of-consciousness narration used by such twentieth-century writers as Virginia Woolf, James Joyce, and William Faulkner. Plot Overview The narrator begins her journal by marveling at the grandeur of the house and grounds her husband has taken for their summer vacation. She describes it in romantic terms as an aristocratic estate or even a haunted house and wonders how they were able to afford it, and why the house had been empty for so long.Her fee ling that there is â€Å"something queer† about the situation leads her into a discussion of her illness—she is suffering from â€Å"nervous depression†Ã¢â‚¬â€and of her marriage. She complains that her husband John, who is also her doctor, belittles both her illness and her thoughts and concerns in general. She contrasts his practical, rationalistic manner with her own imaginative, sensitive ways. Her treatment requires that she do almost nothing active, and she is especially forbidden from working and writing.She feels that activity, freedom, and interesting work would help her condition and reveals that she has begun her secret journal in order to â€Å"relieve her mind. † In an attempt to do so, the narrator begins describing the house. Her description is mostly positive, but disturbing elements such as the â€Å"rings and things† in the bedroom walls, and the bars on the windows, keep showing up. She is particularly disturbed by the yellow wa llpaper in the bedroom, with its strange, formless pattern, and describes it as â€Å"revolting. † Soon, however, her thoughts are interrupted by John’s approach, and she is forced to stop writing.As the first few weeks of the summer pass, the narrator becomes good at hiding her journal, and thus hiding her true thoughts from John. She continues to long for more stimulating company and activity, and she complains again about John’s patronizing, controlling ways—although she immediately returns to the wallpaper, which begins to seem not only ugly, but oddly menacing. She mentions that John is worried about her becoming fixated on it, and that he has even refused to repaper the room so as not to give in to her neurotic worries.The narrator’s imagination, however, has been aroused. She mentions that she enjoys picturing people on the walkways around the house and that John always discourages such fantasies. She also thinks back to her childhood, when she was able to work herself into a terror by imagining things in the dark. As she describes the bedroom, which she says must have been a nursery for young children, she points out that the paper is torn off the wall in spots, there are scratches and gouges in the floor, and the furniture is heavy and fixed in place.Just as she begins to see a strange sub-pattern behind the main design of the wallpaper, her writing is interrupted again, this time by John’s sister, Jennie, who is acting as housekeeper and nurse for the narrator. As the Fourth of July passes, the narrator reports that her family has just visited, leaving her more tired than ever. John threatens to send her to Weir Mitchell, the real-life physician under whose care Gilman had a nervous breakdown. The narrator is alone most of the time and says that she has become almost fond of the wallpaper and that attempting to figure out its pattern has become her primary entertainment.As her obsession grows, the sub-pattern of the wallpaper becomes clearer. It begins to resemble a woman â€Å"stooping down and creeping† behind the main pattern, which looks like the bars of a cage. Whenever the narrator tries to discuss leaving the house, John makes light of her concerns, effectively silencing her. Each time he does so, her disgusted fascination with the paper grows. Soon the wallpaper dominates the narrator’s imagination. She becomes possessive and secretive, hiding her interest in the paper and making sure no one else examines it so that she can â€Å"find it out† on her own.At one point, she startles Jennie, who had been touching the wallpaper and who mentions that she had found yellow stains on their clothes. Mistaking the narrator’s fixation for tranquility, John thinks she is improving. But she sleeps less and less and is convinced that she can smell the paper all over the house, even outside. She discovers a strange smudge mark on the paper, running all around the roo m, as if it had been rubbed by someone crawling against the wall. The sub-pattern now clearly resembles a woman who is trying to get out from behind the main pattern.The narrator sees her shaking the bars at night and creeping around during the day, when the woman is able to escape briefly. The narrator mentions that she, too, creeps around at times. She suspects that John and Jennie are aware of her obsession, and she resolves to destroy the paper once and for all, peeling much of it off during the night. The next day she manages to be alone and goes into something of a frenzy, biting and tearing at the paper in order to free the trapped woman, whom she sees struggling from inside the pattern.By the end, the narrator is hopelessly insane, convinced that there are many creeping women around and that she herself has come out of the wallpaper—that she herself is the trapped woman. She creeps endlessly around the room, smudging the wallpaper as she goes. When John breaks into th e locked room and sees the full horror of the situation, he faints in the doorway, so that the narrator has â€Å"to creep over him every time! † Character List The Narrator – A young, upper-middle-class woman, newly married and a mother, who is undergoing care for depression.The narrator—whose name may or may not be Jane—is highly imaginative and a natural storyteller, though her doctors believe she has a â€Å"slight hysterical tendency. † The story is told in the form of her secret diary, in which she records her thoughts as her obsession with the wallpaper grows. Read an in-depth analysis of The Narrator. John – The narrator’s husband and her physician. John restricts her behavior as part of her treatment. Unlike his imaginative wife, John is extremely practical, preferring facts and figures to â€Å"fancy,† at which he â€Å"scoffs openly. He seems to love his wife, but he does not understand the negative effect his treat ment has on her. Read an in-depth analysis of John. Jennie – John’s sister. Jennie acts as housekeeper for the couple. Her presence and her contentment with a domestic role intensify the narrator’s feelings of guilt over her own inability to act as a traditional wife and mother. Jennie seems, at times, to suspect that the narrator is more troubled than she lets on. Analysis of Major Characters The NarratorThe narrator of â€Å"The Yellow Wallpaper† is a paradox: as she loses touch with the outer world, she comes to a greater understanding of the inner reality of her life. This inner/outer split is crucial to understanding the nature of the narrator’s suffering. At every point, she is faced with relationships, objects, and situations that seem innocent and natural but that are actually quite bizarre and even oppressive. In a sense, the plot of â€Å"The Yellow Wallpaper† is the narrator’s attempt to avoid acknowledging the extent to wh ich her external situation stifles her inner impulses.From the beginning, we see that the narrator is an imaginative, highly expressive woman. She remembers terrifying herself with imaginary nighttime monsters as a child, and she enjoys the notion that the house they have taken is haunted. Yet as part of her â€Å"cure,† her husband forbids her to exercise her imagination in any way. Both her reason and her emotions rebel at this treatment, and she turns her imagination onto seemingly neutral objects—the house and the wallpaper—in an attempt to ignore her growing frustration.Her negative feelings color her description of her surroundings, making them seem uncanny and sinister, and she becomes fixated on the wallpaper. As the narrator sinks further into her inner fascination with the wallpaper, she becomes progressively more dissociated from her day-to-day life. This process of dissociation begins when the story does, at the very moment she decides to keep a secr et diary as â€Å"a relief to her mind. † From that point, her true thoughts are hidden from the outer world, and the narrator begins to slip into a fantasy world in which the nature of â€Å"her situation† is made clear in symbolic terms.Gilman shows us this division in the narrator’s consciousness by having the narrator puzzle over effects in the world that she herself has caused. For example, the narrator doesn’t immediately understand that the yellow stains on her clothing and the long â€Å"smootch† on the wallpaper are connected. Similarly, the narrator fights the realization that the predicament of the woman in the wallpaper is a symbolic version of her own situation. At first she even disapproves of the woman’s efforts to escape and intends to â€Å"tie her up. †When the narrator finally identifies herself with the woman trapped in the wallpaper, she is able to see that other women are forced to creep and hide behind the domes tic â€Å"patterns† of their lives, and that she herself is the one in need of rescue. The horror of this story is that the narrator must lose herself to understand herself. She has untangled the pattern of her life, but she has torn herself apart in getting free of it. An odd detail at the end of the story reveals how much the narrator has sacrificed. During her final split from reality, the narrator says, â€Å"I’ve got out at last, in spite of you and Jane. Who is this Jane? Some critics claim â€Å"Jane† is a misprint for â€Å"Jennie,†the sister-in-law. It is more likely, however, that â€Å"Jane† is the name of the unnamed narrator, who has been a stranger to herself and her jailers. Now she is horribly â€Å"free† of the constraints of her marriage, her society, and her own efforts to repress her mind. John Though John seems like the obvious villain of â€Å"The Yellow Wallpaper,† the story does not allow us to see him as whol ly evil. John’s treatment of the narrator’s depression goes terribly wrong, but in all likelihood he was trying to help her, not make her worse.The real problem with John is the all-encompassing authority he has in his combined role as the narrator’s husband and doctor. John is so sure that he knows what’s best for his wife that he disregards her own opinion of the matter, forcing her to hide her true feelings. He consistently patronizes her. He calls her â€Å"a blessed little goose† and vetoes her smallest wishes, such as when he refuses to switch bedrooms so as not to overindulge her â€Å"fancies. † Further, his dry, clinical rationality renders him uniquely unsuited to understand his imaginative wife.He does not intend to harm her, but his ignorance about what she really needs ultimately proves dangerous. John knows his wife only superficially. He sees the â€Å"outer pattern† but misses the trapped, struggling woman inside. This ignorance is why John is no mere cardboard villain. He cares for his wife, but the unequal relationship in which they find themselves prevents him from truly understanding her and her problems. By treating her as a â€Å"case† or a â€Å"wife† and not as a person with a will of her own, he helps destroy her, which is the last thing he wants.That John has been destroyed by this imprisoning relationship is made clear by the story’s chilling finale. After breaking in on his insane wife, John faints in shock and goes unrecognized by his wife, who calls him â€Å"that man† and complains about having to â€Å"creep over him† as she makes her way along the wall. Themes, Motifs, and Symbols Themes The Subordination of Women in Marriage In â€Å"The Yellow Wallpaper,† Gilman uses the conventions of the psychological horror tale to critique the position of women within the institution of marriage, especially as practiced by the â€Å"respectableâ₠¬ classes of her time.When the story was first published, most readers took it as a scary tale about a woman in an extreme state of consciousness—a gripping, disturbing entertainment, but little more. After its rediscovery in the twentieth century, however, readings of the story have become more complex. For Gilman, the conventional nineteenth-century middle-class marriage, with its rigid distinction between the â€Å"domestic† functions of the female and the â€Å"active† work of the male, ensured that women remained second-class citizens.The story reveals that this gender division had the effect of keeping women in a childish state of ignorance and preventing their full development. John’s assumption of his own superior wisdom and maturity leads him to misjudge, patronize, and dominate his wife, all in the name of â€Å"helping† her. The narrator is reduced to acting like a cross, petulant child, unable to stand up for herself without seeming un reasonable or disloyal. The narrator has no say in even the smallest details of her life, and she retreats into her obsessive fantasy, the only place she can retain some control and exercise the power of her mind.The Importance of Self-Expression [pic] The mental constraints placed upon the narrator, even more so than the physical ones, are what ultimately drive her insane. She is forced to hide her anxieties and fears in order to preserve the facade of a happy marriage and to make it seem as though she is winning the fight against her depression. From the beginning, the most intolerable aspect of her treatment is the compulsory silence and idleness of the â€Å"resting cure. † She is forced to become completely passive, forbidden from exercising her mind in any way.Writing is especially off limits, and John warns her several times that she must use her self-control to rein in her imagination, which he fears will run away with her. Of course, the narrator’s eventual in sanity is a product of the repression of her imaginative power, not the expression of it. She is constantly longing for an emotional and intellectual outlet, even going so far as to keep a secret journal, which she describes more than once as a â€Å"relief† to her mind. For Gilman, a mind that is kept in a state of forced inactivity is doomed to self-destruction.The Evils of the â€Å"Resting Cure† As someone who almost was destroyed by S. Weir Mitchell’s â€Å"resting cure† for depression, it is not surprising that Gilman structured her story as an attack on this ineffective and cruel course of treatment. â€Å"The Yellow Wallpaper† is an illustration of the way a mind that is already plagued with anxiety can deteriorate and begin to prey on itself when it is forced into inactivity and kept from healthy work. To his credit, Mitchell, who is mentioned by name in the story, took Gilman’s criticism to heart and abandoned the â€Å"resting cu re. Beyond the specific technique described in the story, Gilman means to criticize any form of medical care that ignores the concerns of the patient, considering her only as a passive object of treatment. The connection between a woman’s subordination in the home and her subordination in a doctor/patient relationship is clear—John is, after all, the narrator’s husband and doctor. Gilman implies that both forms of authority can be easily abused, even when the husband or doctor means to help.All too often, the women who are the silent subjects of this authority are infantilized, or worse. Motifs Irony Almost every aspect of â€Å"The Yellow Wallpaper† is ironic in some way. Irony is a way of using words to convey multiple levels of meaning that contrast with or complicate one another. In verbal irony, words are frequently used to convey the exact opposite of their literal meaning, such as when one person responds to another’s mistake by saying †Å"nice work. † (Sarcasm—which this example embodies—is a form of verbal irony. In her journal, the narrator uses verbal irony often, especially in reference to her husband: â€Å"John laughs at me, of course, but one expects that in marriage. † Obviously, one expects no such thing, at least not in a healthy marriage. Later, she says, â€Å"I am glad my case is not serious,† at a point when it is clear that she is concerned that her case is very serious indeed. Dramatic irony occurs when there is a contrast between the reader’s knowledge and the knowledge of the characters in the work.Dramatic irony is used extensively in â€Å"The Yellow Wallpaper. † For example, when the narrator first describes the bedroom John has chosen for them, she attributes the room’s bizarre features—the â€Å"rings and things† in the walls, the nailed-down furniture, the bars on the windows, and the torn wallpaper—to the fact that it must have once been used as a nursery. Even this early in the story, the reader sees that there is an equally plausible explanation for these details: the room had been used to house an insane person.Another example is when the narrator assumes that Jennie shares her interest in the wallpaper, while it is clear that Jennie is only now noticing the source of the yellow stains on their clothing. The effect intensifies toward the end of the story, as the narrator sinks further into her fantasy and the reader remains able to see her actions from theâ€Å"outside. † By the time the narrator fully identifies with the trapped woman she sees in the wallpaper, the reader can appreciate the narrator’s experience from her point of view as well as John’s shock at what he sees when he breaks down the door to the bedroom.Situational irony refers to moments when a character’s actions have the opposite of their intended effect. For example, John’s course of tre atment backfires, worsening the depression he was trying to cure and actually driving his wife insane. Similarly, there is a deep irony in the way the narrator’s fate develops. She gains a kind of power and insight only by losing what we would call her self-control and reason. The Journal An â€Å"epistolary† work of fiction takes the form of letters between characters. â€Å"The Yellow Wallpaper† is a kind of epistolary story, in which the narrator writes to herself.Gilman uses this technique to show the narrator’s descent into madness both subjectively and objectively—that is, from both the inside and the outside. Had Gilman told her story in traditional first-person narration, reporting events from inside the narrator’s head, the reader would never know exactly what to think: a woman inside the wallpaper might seem to actually exist. Had Gilman told the story from an objective, third-person point of view, without revealing the narratorâ⠂¬â„¢s thoughts, the social and political symbolism of the story would have been obscured.As it is, the reader must decipher the ambiguity of the story, just as the narrator must attempt to decipher the bewildering story of her life and the bizarre patterns of the wallpaper. Gilman also uses the journal to give the story an intense intimacy and immediacy, especially in those moments when the narrative is interrupted by the approach of John or Jennie. These interruptions perfectly illustrate the constraints placed on the narrator by authority figures who urge her not to think about herâ€Å"condition. † Symbols The Wallpaper The Yellow Wallpaper† is driven by the narrator’s sense that the wallpaper is a text she must interpret, that it symbolizes something that affects her directly. Accordingly, the wallpaper develops its symbolism throughout the story. At first it seems merely unpleasant: it is ripped, soiled, and an â€Å"unclean yellow. † The worst part is the ostensibly formless pattern, which fascinates the narrator as she attempts to figure out how it is organized. After staring at the paper for hours, she sees a ghostly sub-pattern behind the main pattern, visible only in certain light.Eventually, the sub-pattern comes into focus as a desperate woman, constantly crawling and stooping, looking for an escape from behind the main pattern, which has come to resemble the bars of a cage. The narrator sees this cage as festooned with the heads of many women, all of whom were strangled as they tried to escape. Clearly, the wallpaper represents the structure of family, medicine, and tradition in which the narrator finds herself trapped. Wallpaper is domestic and humble, and Gilman skillfully uses this nightmarish, hideous paper as a symbol of the domestic life that traps so many women.Important Quotations Explained 1. If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothin g the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do? . . . So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to â€Å"work† until I am well again. Personally, I disagree with their ideas . . . Explanation for Quotation 1 >> In this passage, which appears near the beginning of the story, the main elements of the narrator’s dilemma are present.The powerful, authoritative voices of her husband, her family, and the medical establishment urge her to be passive. Her own conviction, however, is that what she needs is precisely the opposite—activity and stimulation. From the outset, her opinions carry little weight. â€Å"Personally,† she disagrees with her treatment, but she has no power to change the situation. Gilman also begins to characterize the narrator here. The confusion over â€Å"phosphates or phosphites † is in character for someone who is not particularly interested in factual accuracy.And the choppy rhythm of the sentences, often broken into one-line paragraphs, helps evoke the hurried writing of the narrator in her secret journal, as well as the agitated state of her mind. Close 2. I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is think about my condition, and I confess it always makes me feel bad. So I will let it alone and talk about the house. Explanation for Quotation 2 >>This section appears near the beginning of the story, and it helps characterize both the narrator’s dilemma and the narrator herself. Notably, the narrator interrupts her own train of thought by recalling John’s instructions. Gilman shows how the narrator has internalized her husband’s authority to the point that she practically hears his voice in her head, telling her what to think. Even so, she cannot help but feel the way she does, and so the move she makes at the end—focusing on the house instead of her situation—marks the beginning of her slide into obsession and madness.This mental struggle, this desperate attempt not to think about her unhappiness, makes her project her feelings onto her surroundings, especially the wallpaper, which becomes a symbolic image of â€Å"her condition. †The play on words here is typical of Gilman’s consistent use of irony throughout the story. She feels bad whenever she thinks about herâ€Å"condition,† that is, about both her depression and her condition in general within her oppressive marriage. Close 3. There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day.It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit . I wonder—I begin to think—I wish John would take me away from here! Explanation for Quotation 3 >> About halfway through the story, the sub-pattern of the wallpaper finally comes into focus. The narrator is being drawn further and further into her fantasy, which contains a disturbing truth about her life. Gilman’s irony is actively at work here: the â€Å"things† in the paper are both the ghostly women the narrator sees and the disturbing ideas she is coming to understand.She is simultaneously jealous of the secret (â€Å"nobody knows but me†) and frightened of what it seems to imply. Again the narrator tries to deny her growing insight (â€Å"the dim shapes get clearer every day†), but she is powerless to extricate herself. Small wonder that the woman she sees is always â€Å"stooping down and creeping about. † Like the narrator herself, she is trapped within a suffocating domestic â€Å"pattern† from which no escape is poss ible. Close 4. Life is very much more exciting now than it used to be. Explanation for Quotation 4 >>This comment comes just after the scene in which the narrator catches Jennie touching the paper and resolves that no one else is allowed to figure out the pattern. It captures one of the most distinctive qualities of â€Å"The Yellow Wallpaper†: Gilman’s bitter, sarcastic sense of humor. Now that the narrator has become hopelessly obsessed with the pattern, spending all day and all night thinking about it, life has become more interesting and she is no longer bored. Gilman manages to combine humor and dread in such moments. The comment is funny, but the reader knows that someone who would make such a joke is not well.Indeed, in the section that follows, the narrator casually mentions that she considered burning the house down in order to eliminate the smell of the wallpaper. Close 5. I don’t like to look out of the windows even—there are so many of those c reeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did? Explanation for Quotation 5 >> Important Quotations Explained 1. If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do? . . So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to â€Å"work† until I am well again. Personally, I disagree with their ideas . . . Explanation for Quotation 1 >> In this passage, which appears near the beginning of the story, the main elements of the narrator’s dilemma are present. The powerful, authoritative voices of her husband, her family, and the medical establishment urge her to be passive. Her own conviction, however, is that what she needs is precisely the opposite—activ ity and stimulation.From the outset, her opinions carry little weight. â€Å"Personally,† she disagrees with her treatment, but she has no power to change the situation. Gilman also begins to characterize the narrator here. The confusion over â€Å"phosphates or phosphites† is in character for someone who is not particularly interested in factual accuracy. And the choppy rhythm of the sentences, often broken into one-line paragraphs, helps evoke the hurried writing of the narrator in her secret journal, as well as the agitated state of her mind. Close . I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is think about my condition, and I confess it always makes me feel bad. So I will let it alone and talk about the house. Explanation for Quotation 2 >> This section appears near the beginning of the story, and it helps characterize both the narrator’s dilemma and the nar rator herself. Notably, the narrator interrupts her own train of thought by recalling John’s instructions.Gilman shows how the narrator has internalized her husband’s authority to the point that she practically hears his voice in her head, telling her what to think. Even so, she cannot help but feel the way she does, and so the move she makes at the end—focusing on the house instead of her situation—marks the beginning of her slide into obsession and madness. This mental struggle, this desperate attempt not to think about her unhappiness, makes her project her feelings onto her surroundings, especially the wallpaper, which becomes a symbolic image of â€Å"her condition. The play on words here is typical of Gilman’s consistent use of irony throughout the story. She feels bad whenever she thinks about herâ€Å"condition,† that is, about both her depression and her condition in general within her oppressive marriage. Close 3. There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here! Explanation for Quotation 3 >>About halfway through the story, the sub-pattern of the wallpaper finally comes into focus. The narrator is being drawn further and further into her fantasy, which contains a disturbing truth about her life. Gilman’s irony is actively at work here: the â€Å"things† in the paper are both the ghostly women the narrator sees and the disturbing ideas she is coming to understand. She is simultaneously jealous of the secret (â€Å"nobody knows but me†) and frightened of what it seems to imply. Again the narrator tries to deny her growing insight (â€Å"the dim shapes get clearer ever y day†), but she is powerless to extricate herself.Small wonder that the woman she sees is always â€Å"stooping down and creeping about. † Like the narrator herself, she is trapped within a suffocating domestic â€Å"pattern† from which no escape is possible. Close 4. Life is very much more exciting now than it used to be. Explanation for Quotation 4 >> This comment comes just after the scene in which the narrator catches Jennie touching the paper and resolves that no one else is allowed to figure out the pattern. It captures one of the most distinctive qualities of â€Å"The Yellow Wallpaper†: Gilman’s bitter, sarcastic sense of humor.Now that the narrator has become hopelessly obsessed with the pattern, spending all day and all night thinking about it, life has become more interesting and she is no longer bored. Gilman manages to combine humor and dread in such moments. The comment is funny, but the reader knows that someone who would make such a joke is not well. Indeed, in the section that follows, the narrator casually mentions that she considered burning the house down in order to eliminate the smell of the wallpaper. Close 5. I don’t like to look out of the windows even—there are so many of those creeping women, and they creep so fast.I wonder if they all come out of that wall-paper as I did? Explanation for Quotation 5 >> In the story’s final scene, just before John finally breaks into her room, the narrator has finished tearing off enough of the wallpaper that the woman she saw inside is now free—and the two women have become one. This passage is the exact moment of full identification, when the narrator finally makes the connection she has been avoiding, a connection that the reader has made already. The woman behind the pattern was an image of herself—she has been the one â€Å"stooping and creeping. Further, she knows that there are many women just like her, so many that she is afraid to look at them. The question she asks is poignant and complex: did they all have to struggle the way I did? Were they trapped within homes that were really prisons? Did they all have to tear their lives up at the roots in order to be free? The narrator, unable to answer these questions, leaves them for another woman—or the reader—to ponder. Key Facts title  · â€Å"The Yellow Wallpaper† author  · Charlotte Perkins Gilman type of work  · Short story genre  · Gothic horror tale; character study; socio-political allegory language  · English ime and place written  · 1892, California date of first publication  · May, 1892 publisher  · The New England Magazine narrator  · A mentally troubled young woman, possibly named Jane point of view  · As the main character’s fictional journal, the story is told in strict first-person narration, focusing exclusively on her own thoughts, feelings, and perceptions. Everything that we learn or see in the story is filtered through the narrator’s shifting consciousness, and since the narrator goes insane over the course of the story, her perception of reality is often completely at odds with that of the other characters. one  · The narrator is in a state of anxiety for much of the story, with flashes of sarcasm, anger, and desperation—a tone Gilman wants the reader to share. tense  · The story stays close to the narrator’s thoughts at the moment and is thus mostly in the present tense. setting (time)  · Late nineteenth century setting (place)  · America, in a large summer home (or possibly an old asylum), primarily in one bedroom within the house. rotagonist  · The narrator, a young upper-middle-class woman who is suffering from what is most likely postpartum depression and whose illness gives her insight into her (and other women’s) situation in society and in marriage, even as the treatment she undergoes robs her of her sanity. major conf lict  · The struggle between the narrator and her husband, who is also her doctor, over the nature and treatment of her illness leads to a conflict within the narrator’s mind between her growing understanding of her own powerlessness and her desire to repress this awareness. ising action  · The narrator decides to keep a secret journal, in which she describes her forced passivity and expresses her dislike for her bedroom wallpaper, a dislike that gradually intensifies into obsession. climax  · The narrator completely identifies herself with the woman imprisoned in the wallpaper. falling action  · The narrator, now completely identified with the woman in the wallpaper,spends her time crawling on all fours around the room. Her husband discovers her and collapses in shock, and she keeps crawling, right over his fallen body. hemes  · The subordination of women in marriage; the importance of self-expression; the evils of the â€Å"Resting Cure† motifs  · Irony; the journal symbols  · The wallpaper foreshadowing  · The discovery of the teeth marks on the bedstead foreshadows the narrator’s own insanity and suggests the narrator is not revealing everything about her behavior; the first use of the word â€Å"creepy† foreshadows the increasing desperation of the narrator’s situation and her own eventualâ€Å"creeping. † How to Cite This SparkNote Full Bibliographic Citation MLA: SparkNotes Editors. â€Å"SparkNote on The Yellow Wallpaper. † SparkNotes. com. SparkNotes LLC. 2006. Web. 2 Apr. 2013. The Chicago Manual of Style: SparkNotes Editors. â€Å"SparkNote on The Yellow Wallpaper. † SparkNotes LLC. 2006. http://www. sparknotes. com/lit/yellowwallpaper/ (accessed April 12, 2013). APA: SparkNotes Editors. (2006). SparkNote on The Yellow Wallpaper. Retrieved April 12, 2013, from http://www. sparknotes. com/lit/yellowwallpaper/ In Text Citation MLA: â€Å"Their conversation is awkward, especially when she mentions Wickham, a subject Darcy clearly wishes to avoid† (SparkNotes Editors). APA: â€Å"Their conversation is awkward, especially when she mentions Wickham, a subject Darcy clearly wishes to avoid† (SparkNotes Editors, 2006).Footnote The Chicago Manual of Style: Chicago requires the use of footnotes, rather than parenthetical citations, in conjunction with a list of works cited when dealing with literature. 1 SparkNotes Editors. â€Å"SparkNote on The Yellow Wallpaper. † SparkNotes LLC. 2006. http://www. sparknotes. com/lit/yellowwallpaper/ (accessed April 12, 2013). [pic] Please be sure to cite your sources. For more information about what plagiarism is and how to avoid it, please read our article on The Plagiarism Plague. If you have any questions regarding how to use or include references to SparkNotes in your work, please tell us.

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America First Hand essays America First Hand. Robert D. Marcus and David Burner. Beacon Press, 1987, 223 pgs. The beginning of the colonial period was full of troubles. America First Hand, by Robert D. Marcus and David Burner is written in distinct detail about several accounts by American colonists that are written and relay what it was like in the colonies during the first couple decades. The accounts describe how teenagers, men, and women, all in their own way, questioned society, religion, and government in order to improve themselves and have their own effects on a changing county. Marcus and Burner compare and contrast religious, political, and social issues that were dealt with during the early 1800s. The authors examined the experiences of Hetty Shepard, Ben Franklin, and Eliza Pickeny. Three Americans from very different backgrounds who all had thoughts, actions, and ideas to better themselves and hopefully better their fellow man and society. They show that people should try to better themselves based on his or her own opinions and ideas rather than rely on those of others. Miss Hetty Shepard was a Puritan girl living in New England at the height of colonization and had trouble with the Indians. She recorded a diary to describe the days as they went by. Also along with her daily acknowledgements, Hetty reveals private thoughts and inquires that show her doubts and questions concerning her strict Puritan beliefs. Marcus and Burner show passages from a diary written by Hetty Shepard about what some may call the rebellious mind of young woman. Based on her writings, others may call her the beginning of the independent, or republican, women. Men of the colonial time period did not have it much easier than women. Inventor, philosopher, printer, and ladies man extraordinary Ben Franklin was also considered. He was a writer/printer from Philadelphia, and a person who was interested in the science of humanity. Franklin in t...

What color is that dress Check your perception.

What color is that dress Check your perception. The Blue-Black / White-Gold Debate There is a debate  raging across the internet about the color of the dress in the photo to the right. Is it blue and black? Or white and gold? I read about this debate and was skeptical. Was this some big scam? When I look at the picture I see blue and black and cant imagine it would be anything else. I decided to test this proposition my self. I was surrounded by people this past weekend at a family event, so carried around my laptop asking my relatives what color they thought the dress was. Reality Check? Of my first three subjects, my mom  saw blue and black. So did my cousin  Michael. But my cousin Carol saw white and gold. The more people I asked, the more I realized that this  is for real. People see the colors in this dress differently and each person is completely convinced about the rightness of his or her view. My cousin Michael was an interesting case. I showed him the picture a second time in different lighting, and he saw it as white and gold. But a minute later, he was saying it was back to black and blue. He still insisted he was right and I was playing tricks on him with the lighting on my computer. Wow. Being Right Do you think you know things like what color that dress is? I know I do.  My brain does not even want to consider that someone else really and truly sees it as a different color. That  dress is  black and blue! But many people I know and trust were right there  saying  with complete conviction, White and gold. This reminds me of another exercise where one person is looking at a mug from the handle side, and another is looking from the non-handle side. To one person, there is no handle. To the other, its clearly a handled mug. Heres the rub:  Both people are right!! And they are both stuck in a perspective. The Gift of Perspective If we could get this about other issues religion, the cleanliness of our kitchens, what it means  to leave on time, [insert your  issue here], imagine how much better our relationships could be. Imagine how much less we would fight over the not-important things.  We could be curious instead of right. We could truly be over there with the people in our lives, listening to them  accurately. How does this principle apply to writing? Whatever we write, whether it’s a blog article, an e-mail message, a book, or a resume, one person might read it one way and another person might read it completely differently. The same resume can be loved by one hiring manager and hated by another. I notice it with my e-book too: People rate How to Write a KILLER LinkedIn Profile everywhere from 5 stars to 1. It’s rare to find any topic on which people agree 100%. If we can take that as a gift instead of as a point of contention, we can all grow and expand as we explore each other’s perspectives. I challenge you to try this at home. Make someone right today who you are totally convinced is wrong. Who knows what might emerge from there?

Is the American Media Responsible for Perpetuating an Unrealistic Essay

Is the American Media Responsible for Perpetuating an Unrealistic Beauty Ideal for Women - Essay Example When these models walk the ramp, the youth populations which watch these shows are tempted to follow their footsteps and undergo extreme dieting and starvation. Women watching these American television shows feel that they are imperfect and resort to different shortcuts to attain wafer thin body structure. America’s new Television show named â€Å"America’s Next Top Model† has created such a surge among teenagers that they take unrealistic steps to attain thin body figure. According to (Erp,23) â€Å"The popularity of talent shows such as America's Next Top Model is just a more pronounced example of society's increasing obsession with youth and beauty, another addition to the flood of images serving up idealized, teen perfection†. The teenagers and young women are blindly influenced by the extreme thin structure of models and actresses that they hardly think about the negative impact upon their health and body. They fall victim to eating disorders like Ano rexia and Bulimia and get accustomed to depression and anxiety disorders. Television and movies establishes and put forward a message that only underweight and ultra – thin women are worth living in this era. American media’s promotion of Barbie doll image In America it is not unusual for media to display a Barbie doll concept to the female population all over the country. The Barbie has been influencing the growing up girls who are between the age of 3 to 12yrs.It is estimated that one in three girls aged under 12 yrs in American owns a Barbie doll. Girls playing with it tend to compare her body structure with Barbie and attempt to attain her body image. If Barbie doll is imagined as a human being, then she would be so thin that... This report approves that the government and other voluntary organization take deliberate step to boycott unhealthy concepts promoted by American media. There should also be funding from the part of government to advertise health promoting campaigns to acknowledge the teenage population about ideal weight and right beauty concept. All the population around the world watches American entertainment media and nurture their fashion and beauty concepts around it. The female models displayed in all the media are extremely thin, which is an unattainable body image for the ordinary female population. The television channels like Fashion TV, depicts female models that are so thin that they look terribly starved and undernourished comparing to a normal female. This essay makes a conclusion that media is a channel which has a tremendous power to communicate to people around the world. If mass media and advertisement campaign does not pass on a beneficial message to the public then they are misusing their power and position. Beauty is not a thing to be achieved by torturing the body and undergoing mental stress and bodily deprivation. Beauty is something which reflects happiness, health and joy. A human being needs healthy and nutritious food to function in a balanced way. When young women deprive their body of essential nutrients they end up being diseased and ugly looking. Today the world is running after glamour and sexy body image but people are forgetting that in the long run when they suffer from illness no media will come for their help or resort.

Comparison of equity and common law in the field of breach of a Essay

Comparison of equity and common law in the field of breach of a fiduciary duty in a trust - Essay Example In "Junior books v Veitchi (1983) 1 AC 520" recovery of economic loss was imposed as liability. And the elements for constituting negligence such as (a) A duty of care owed by the defendant to the plaintiff (b) A bleach of that duty by the defendant (c) consequential damage suffered by the plaintiff (d) Such damages caused by the bleach are formulated. (Peter de Cruz 320) Equity is the Creation of Courts, it is innovative and it provides various quick remedies such as injunction, rescission, rectification and specific performance. Thus equity is not a separate law but it a supplement to the common law. Discretionary is common feature of equitable remedies. Equity has wider scope than the common law. The common law does not look into the conduct of the parties what is required is the claim has to proved. Once the claim is proved the damages are awarded. The common remedy in common law is awarding of damages. In Common law the courts have limited discretionary functions compared to law of equity. (Terence Ingaman 442) Common Law and equity is distinguished on concept of jurisdiction such as "Equitable property interest", "fiduciary obligation", "Unconsciousness" and "Proprietary remedies", which are the distinct concepts developed by the courts of chancery. 1. Equitable Property Interest. Where the interest in the property is vested under the law of equity such as interest in trust property, the interest of the beneficiary over the property in trust is enforceable not only against the trustee but also against the third party who acquires such property. Therefore the beneficiary interest is conceived as proprietary. The beneficiary is at liberty to convert the beneficial interest into the absolute ownership interest at any point of time. Where the interest in the property is vested under the Common law such as through transfer of property, the interest is absolute and the person can exercise such rights over the property for his sole lawful benefits. Where as in equity a trustee with equitable property right exercise his rights over the property for the benefit of the beneficiary and cannot exercised for his benefit. (Peter Cane 187) 2. Unconscionable Conduct: Chancery courts are conscience. As discussed in earlier topic the liability under the common law is strict liability caused due to reasonable misconduct or tortuous act. The Chancery courts under the law of equity are liberal in granting the remedies extending to suspected conduct. Unconscionable act is related to the strict liability to fiduciary and the negligence is to the strict liability in tort. The common law provides remedies to those subjected to harm due to negligence of others where as the law of equity stretches further and provides the relief against the unfair advantage taken by the others. (Peter Cane 191) 3. Fiduciary obligations: Fiduciary obligations are created in trust. The fiduciary in relation to the trust property must act for the benefit of the beneficiary but not for the benefit

Day vs. Night Essay Example | Topics and Well Written Essays - 500 words

Day vs. Night - Essay Example In looking at these kinds of oppositions, it is sometimes helpful to discover the various ways in which the elements involved are similar in order to understand better about how they are actually different. When it comes to discussing ideas, we tend to try to lump things into a yes or no situation, black or white or day or night. When you look closer at the picture, though, there is often a lot more maybe, grey or dusk involved in the comparison. One opposition considered so opposite that they have nothing at all in common is the opposition of day and night. There are many ways in which day and night are similar. They are both required to make up a complete cycle of the earth for example. While the time period of one may be longer at one time of the year, it is generally shorter at another time so that the world is dark approximately half the time and light the other half the time. Both day and night are regulated in their duration by the rotation of the earth around the sun and are a natural part of the physical properties of the world. Life on earth has developed with a dependence upon these alternating cycles of light and darkness in order to survive. Some plants and animals depend upon the hours of sunlight to generate the energy they require to survive just as they require the hours of darkness as a time in which they are able to regenerate. However, different processes occur at night, making different plants and animals active during this period of time under the cover of darkness and rest during the daylight hours. Both day and n ight are bordered by periods of transition in which it is neither day nor night and they are both presided over by a heavenly body. Despite these similarities, though, it is true that there are at least as many differences between day and night as there are similarities. While day is presided over by the brilliant yellow light of the sun, the night is ruled by the reflected blue light of the moon. Although the

Reading Assignment #3 Example | Topics and Well Written Essays - 250 words

Reading #3 - Assignment Example mation may be in the form of several ways, and people may not be aware such as kindness and offering comfort to a relative of the dying person (Hawkins, n.d ). Transformation is therefore by those who are very close to the dying person or their relatives, and it is necessary to give it out when desired. Transformation can occur to the person trying to provide care and compassion rather that the one suffering especially when one opens his/her heart to those that are in the greatest need for comfort. Humans have the mandate to provide the quality care that can transform the worst moments into tolerable ones or make a person accept a loss. In addition, suffering can be turned into peace through transformation. The case of the Pope John Paul II was a form of transformation as during his last moments his caregivers and health providers kept the rest of the world hoping that the Pope would recover. In fact, they gave him the best care and attended to every change in his health trying to keep him alive. They never reported that the Pope was dying yet his condition was very serious. When he finally did all tests to confirm death starting with the medieval and the modern medicine through an electrocardiogram were carried out. The Pope’s medical team could have informed the world that the Pope was dying instead of describing his conditions with such words as serious, grave, or

Engineering Design Practice Essay Example | Topics and Well Written Essays - 1750 words

Engineering Design Practice - Essay Example 1) As per the requirements of the Approved Document B it is must for the architect to plan and design a structure in a manner that it should comprises of ample necessities like early conflagration caution apparatuses and proper, secure and efficient evacuation passages. 2) To control the intensification of inferno in the interior of a structure it is necessary to utilize the material that can bear and defy the blazes distribution over it and in case it catches fire, there should be a sluggish rate of temperature release, reasonable as per situation 3) The indoors are ought to be constructed in a way that in case of fire it is supposed to be steady for the utmost period and it must defend against the fire dispersion among two buildings with an tolerable system for the smoke discharge 4) The outside walls and roof of construction must defend against the fire to reach over from a construction to any more having stared to operation, height and pose. The blueprint of structure must be well architected to ease fire-fighters in shielding lives A performance oriented process for structural inferno design is akin to the modus operandi of devious structures to wind masses and seismic effects. The role of a structural component will be definite and a set of objective tests will be prearranged that allocates the assessment of fire recital in relation to the key practical decisive factor on the other hand, Prescriptive method characterizes a structural conflagration design moderately accurate in requisites of the resources involved, contour and extent of structural rudiments, depth of fire safety materials and construction detail etc. The design proposals are mostly based on the practice with matching or analogous standard inferno tests. It is necessary to carry out more than one test for a specific perimeter in array to verify the results obtained from the previous test as in earlier investigations by experts it is revealed

Journal Entry #2 Essay Example | Topics and Well Written Essays - 250 words

Journal Entry #2 - Essay Example First is the issue of hazing. While hazing has been outlawed as illegal, Greek Letter fraternities or sororities still run the danger of resuscitating the practice to the detriment of unsuspecting neophytes. Second is the issue of rite of passage where every neophyte has to go through to become a full member and finally is the issue of beer binges and excessive partying associated with Greek Letter fraternities. Thus, to answer if Greek Life is for me, my reply would be that I am not just into beer binges and excessive partying that runs up to the wee hours of the morning. I like to have fun also but alcohol and staying up late with is just not me. With regard to its advantages of having plenty of friends and study mates, I already have friends and reliable classmates whom I can study with. With regard to network after college, I believe that my own capability can stand its own in the labor market. I also do not believe in the rite of passage that every neophyte has to go through just to be accepted and become a full member. So to answer the question whether Greek life is for me or not, my answer would be it is not for

Engineering Design Practice Essay Example | Topics and Well Written Essays - 1750 words

Engineering Design Practice - Essay Example 1) As per the requirements of the Approved Document B it is must for the architect to plan and design a structure in a manner that it should comprises of ample necessities like early conflagration caution apparatuses and proper, secure and efficient evacuation passages. 2) To control the intensification of inferno in the interior of a structure it is necessary to utilize the material that can bear and defy the blazes distribution over it and in case it catches fire, there should be a sluggish rate of temperature release, reasonable as per situation 3) The indoors are ought to be constructed in a way that in case of fire it is supposed to be steady for the utmost period and it must defend against the fire dispersion among two buildings with an tolerable system for the smoke discharge 4) The outside walls and roof of construction must defend against the fire to reach over from a construction to any more having stared to operation, height and pose. The blueprint of structure must be well architected to ease fire-fighters in shielding lives A performance oriented process for structural inferno design is akin to the modus operandi of devious structures to wind masses and seismic effects. The role of a structural component will be definite and a set of objective tests will be prearranged that allocates the assessment of fire recital in relation to the key practical decisive factor on the other hand, Prescriptive method characterizes a structural conflagration design moderately accurate in requisites of the resources involved, contour and extent of structural rudiments, depth of fire safety materials and construction detail etc. The design proposals are mostly based on the practice with matching or analogous standard inferno tests. It is necessary to carry out more than one test for a specific perimeter in array to verify the results obtained from the previous test as in earlier investigations by experts it is revealed

Research Paper Essay Example | Topics and Well Written Essays - 250 words - 1

Research Paper - Essay Example To be specific, choosing an apt thesis for my research work was the most important problem. I need to prove myself that I am able to point out my own opinion on the topic selected for the research work. One can see that thesis is to be considered as the core element of a research work which influences the work as a whole. I was totally confused because I was permitted to choose the topic by my own. So, I decided to go through books. This initiative helped me to have through knowledge in the topic selected for the research work. I came to realize that no one can plan a research work without having thorough knowledge in the topic. I decided to make use of the books, journal articles and other sources and began to take notes. Then, I chose an apt thesis for my research work, went through other research works, and created an outline for my work. Next, I went through the notes and chose the most important points and quotations related to the topic. This was an easy task for me because the knowledge gathered from books, online journal articles, and other sources helped me to create an apt bibliography. Then, I began to write my first draft, including all the points to be included in the research work. After completing my task, I came to know that one of my peers is facing difficulty with the task of finding relevant sources for the research work. To be specific, this problem cannot be dealt with ease. My friend/peer must show utmost care and attention in finding relevant sources. For instance, my friend can go through the available books, journals and other sources in the library. After completing this task, my friend can make use of ‘Google Books’ to search books. Besides, my friend can make use of online magazines, online journal databases, online editions of newspapers and online libraries. I hope all these steps can help my friend/peer to complete

Review of Eric Johnsons Psychology and Christianity

Review of Eric Johnsons Psychology and Christianity Review of Eric Johnsons Psychology and Christianity: Five Views TITLE: Psychology Christianity: Five Views EDITOR: Eric L. Johnson EDITION: 2nd CONTRIBUTIONS BY: David G. Myers, Stanton L. Jones, Robert C. Roberts Watson P.J., John H. Coe Todd W. Hall, David Powlison PUBLISHERS: Intervarsity Press, Downers Grove, Illinois YEAR OF PUBLICATION: 2010 NUMBER OF PAGES: 319 PRICE:  £14.37 Introduction This book discusses five views on the relationship between Psychology and Christianity. The five views, put forward by seven contributors, include: A Levels-of-Explanation View, An Integration View, A Christian Psychology View, A Transformational Psychology View and A Biblical Counseling View. Each view is also mirrored by proponents of other approaches. The editor provides an insight through the preface and the introductory and concluding chapters. In the preface, he clearly puts the background to the book and its coverage in perspective. Chapter 1: A Brief History of Christians in Psychology In this 39-page chapter, Johnson gives the history of the debate on psychology and Christianity and summarises the five approaches. He traces biblical psychology to creation. Johnson rationalises that, from the beginning of creation to His continuous orderly guide, God presents a rationality that can be verified. He argues that the history of Christianity has shown science as a cardinal gift from God. He further talks about late modernism witnessing Darwin’s perverse theory of evolution with psychological developments replacing biblical study and philosophical reflection. Johnson also discusses the church’s intellectual crisis and the responses of Christians to the new psychology and finally highlights the five approaches of the book. Chapter 2: A-Levels-of-Explanation View Myers begins his 30-page exposition by looking at differing definitions of psychology over time and replies inquisitive critics that psychological science and Christian faith blend well. He argues that one’s perspective depends on what one wants to talk about and that religious and scientific levels of explanation and analysis are often complimentary. He sees no contradiction of explanations at different levels and states that psychological science, hidden values and spiritual awe are complimentary. He also argues that our values, ideas and predictions guide research thereby exposing the reality. He claims that people of faith have no problem with psychological inquiry and that a connecting link exists between the two. Myers tabulates â€Å"Seven Ways to Relate Faith and Psychology† with examples (p.57). He states that several of psychologists’ conclusions concerning attitudes, behaviour and situations are drawn from religious ideas. He states that psychology cha llenges us sometimes to examine some cherished ideas and consult the Scripture as in research on erroneous thinking and new information about sexual orientation. Myers concludes that psychology and faith share the same ideals of humility and scepticism. He summarises the several links between psychology and faith and warns that psychological science should not be seen as the final word but rather keep alive the â€Å"ever reforming Reformation spirit† (p.75). Other writers agree that Myers’ piece has a bias for good science but there are also criticisms of his view. Jones, for example, faults Myers’ approach for failure to specify which beliefs will shape the work and for offering nothing compelling from science itself. Watson too sees Myers’ definition of psychology as suspect and his essay as mere Christians’ interpretation of various scientific findings. Coe and Hall claim that Myers’ approach provides only complimentary views with no proper articulation to critique and that it is merely descriptive and not prescriptive. Lastly, Powlison states that Myers’ example of rationality is ambiguous and that his treatment of self esteem and self-affirmation is futile. Chapter 3: An Integration View In his 28-page essay, Jones looks at the integration of Christianity and psychology as the employment of â€Å"God’s true Word† (p.115) and the elements include biblical truth, methodical science and argumentation, psychological learning and Christianity. He talks about engaging psychotherapy theories critically and constructively. He examines several studies and argues for the need to frame the understanding of the client in counselling and psychotherapy in terms of the Christian understanding of Jesus. He advises that there should be careful reflection on the Bible to understand better what it says about sexuality and homosexuality for future research. He concludes by defining integration as â€Å"the discipline and profession of psychology with a commitment to having one’s Christian convictions shape every aspect of one’s work† (p.125). Myer notes the similarity between him and Jones in using science to interpret the Bible. He faults Jones, however, for overstating the extent to which biblical truths are as stable as empirical evidence. Roberts sees Jones as integrating two dissimilar concepts – psychology and Christianity and making one thing out of two things very strange to each other. He advocates that Christianity and psychology should be seen as one. Furthermore, Coe and Hall criticise Jones’ failure to adequately criticise a wrong view of science which excludes the study of faith and values. Lastly, Powlison, criticises Jones for restricting the impact of Christianity to narrowly religious topics and for failing to mention details of human experience. Chapter 4: A Christian Psychology View In their 30-page essay, Robert and Watson state how one psychology assumes several dimensions that are similar to many psychologies. They call for the retrieval of the long tradition of Christian psychology as a first step with the Bible having a special place. They say that the sermon contains psychology because it conceptualises â€Å"personal well-being† and the broad themes of character traits and attitudes and preaches against psychopathology topics like divorce and hatred. They further look at Jesus’ sermon in Matthew 5 as containing virtues qualified to be psychological themes. Their second step concerns empirical research within the Christian tradition on human beings like in contemporary psychology. Thereafter, they write on Operationalising the Christian Tradition by using socio-scientific methods. They also call for future comparative empirical investigations that will conform to world views. Finally, they see the prospects of Christian Psychology as promisin g. Myers agrees with Roberts and Watson’s psychology from broader perspective. He, however, sees their call for a distinct Christian Psychology as misdirected and irrelevant. Jones praises this work too but sees a problem in Christian psychology being treated as a singular entity. Coe and Hall criticise the view for failing to affirm what Christianity itself affirms and for its two-step approach for empirical work. Finally Powlison sees a similarity between Christian psychology and his own brand of Biblical counselling and raises some similar research questions that may arise from both approaches. He, however, â€Å"felt jarred by Roberts and Watson’s use of the word trait to describe the quality of flourishing humanness† (p.197). Chapter 5: A Transformational Psychology View In their 46-page essay, Coe and Hall look at transformational psychology as a model which tries to mould â€Å"traditional way of thinking of psychology in relation to Christianity† scientifically (p.199). They discuss the history of psychology and engaging in psychology in the spirit. They also discuss the practitioners doing one single psychology but with a complex study of reality in faith and those doing psychology as descriptive and prescriptive science. They thereafter address the issue of existential and theoretical framework as it relates to the person, the process and the product of practising psychology in conformity with God. They explore five levels of transformational psychology on theories, research and training which are depicted in their figure 3 labelled `Contours of a transformational model of psychology` (p.222). They conclude by emphasising that focus of transformational psychology is on the person and process, and affirm that the implications are compellin g. Myers recommends Coe and Hall’s ambitious effort to psychological scientists. He, however, queries their assumptions and dissents from â€Å"their effort to transform â€Å"psychology† into religion† (p.228). Jones criticises their individualism and sees their call for freedom from past thinking about Christian psychology as likely to lead to the argument as to which psychologist is spiritually mature or transformed. Roberts criticises the writers for saying little about the subject of Christian psychology and the character of the psychologist. Finally, Powlison commends them for their comprehensive goals but faults their reliance on the monastic and labels the form of Christianity brought into psychology as problematic. Chapter 6: A Biblical Counseling View This 29-page chapter is by Powlison who sees at the heart of Christianity a coordinated understanding of the basis of work by people. He reveals that God sets the agenda of human blossoming through counselling and says Christians’ understanding is bound to differ from that of other psychologies. He states that Christ’s revelation creates a unique idea of the relationship between counsellor and counselee as well as difference in methodology and counselling location. He argues further that Christian psychology and psychotherapy do not appear in the Bible automatically and that wisdom from biblical counselling is ongoing. Furthermore, Powlison looks at the numerous dimensions underlying the Christian view and implications for helping people. He examines three themes of Nicene Creed and affirms that â€Å"God is the maker of all that is†, that He is judge of both the dead and the living and that Jesus â€Å"came down for us and for our salvation† (pp. 247-248) . He states that Christian faith and psychology are related by reasons of psychology incorporating the feelings, thoughts and experiences of people, supplying systematic observations and descriptions of how people work and giving explanations about human behaviour. He also sketches out how biblical understanding and practice address realities about people’s problems using a thirty-eight year old uncoordinated father of two, Clyde, a medical doctor whose wife and parents also have diverse problems, as a case study. He states that we can make a sense of Clyde’s problem of adjusted disorder and emotions (p.266) by resorting to Christian faith and Jesus’ teachings on heart, faith and love. In conclusion, he foresees his hypothetical Clyde, through the counselling process, taking on the culture of change. Myers sees no serious discussion of the mainstream psychology in Powlison’s view. He queries the effectiveness of biblical counselling but leaves the judgement to others. Jones queries Powlison’s focus on the Nicene fundamentals which do not articulate Christian psychology. He also objects to the counselling offered to Clyde, arguing that, where resources of the faith and the church are inadequate, they should be supplemented with resources from psychological sciences, (integration), and not replaced as suggested by Powlison. Watson praises biblical counselling for adopting revelation from Jesus in its commitment to counselling practice. He faults Powlison’s approach, however, for suggesting that Christian psychologists should only do counselling while they can work on other forms of human endeavours. Coe and Hall see the genuineness of Powlison’s work to relate psychology to Christianity. They, nonetheless, criticise biblical counselling for failing to pr esent a peculiar version of science. They also query Powlison’s use of mainly the quantitative and descriptive methods while ignoring the prescriptive method that talks about values, characters etc. (p.287). Chapter 7: Gaining Understanding Through Five Views In this 22-page chapter, Johnson assists the reader to appreciate the â€Å"multiperspective† nature of the book (p.292). He acknowledges some contradictions in the five views but warns the readers to wait and read all so as to appreciate the valid insights of each of the positions. Furthermore, Johnson encourages understanding of psychology and counselling by participating in the book’s dialogue. Moreover, he advises on having critical ability for understanding. Finally, he encourages us to read this book in order to engage with others in the formulation of a new understanding. Conclusion This book is a huge success by all standards. First, Johnson’s elaboration of the perspectives of the book in his preface and the first chapter of the book serve as a good introduction and a quick guide to the reading and understanding of the book. Second, all the lead authors of the five approaches have also tried hard to articulate their views and their contributions bear an imprint of lofty scholarly presentation. Third, the co-contributors to each of the five approaches assist the reader to see the interdependence of the five chapters on one another. Fourth, the co-contributors to each chapter also discuss the perceived weaknesses of each approach thus assisting the reader to have a balanced view of the whole book and to form an impression about each of the approaches. Fifth, the references to each of the seven chapters are appropriately put at the end of each chapter thereby encouraging easy crosschecking of facts. Besides, the references have a uniform style – the APA style. One noticeable weakness common to most of the writers is the tendency to exclude Jesus Christ, the basis of Christian belief, from their works. Another weakness is the difference in style exhibited by the writers, especially the supportive writers of each chapter. While some of them have headings and sub-headings for their works others do not. Some of the supportive essays failed to reference their supportive essays. These flaws, however, become inconsequential in view of the book’s sterling qualities. The objective of the book to give an opportunity for Christians to dialogue publicly about the value of psychology and the problems in psychological study and counselling practice has also been largely fulfilled. Based on these outstanding qualities, I wish to recommend this book to practitioners in psychology and Christian theology and indeed the general reading public. Ayo Adeola Emordi COU 2001 Book Review 1